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This guide to Lightroom time-lapse video production was put together to teach you how to produce time-lapse videos from the images in the camera to a fully produced video using just Lightroom. 6.3 Export sequence image files to disk.6 How to produce a time-lapse in Lightroom.4.3.1.3 Blend keyframes & animate transitions.4.3.1.1 Auto grouping of time-lapse sequences.4.2.1.4 Visual deflicker and LRT motion blur.4.2.1.2 Animate and keyframe over 400 Lightroom tools.4.2.1.1 Keyframe and grade time-lapse sequences of RAW images.4.1 Jeffrey Friedl’s ‘Timelapse Support’ Lightroom Plugin.
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3.1.2 Method 2: Using Windows Explorer or Mac Finder.
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That said, I agree…John Ellenberger should download the free trials of RAWBlend and Panolapse to see if either solves the problem, even if it looks to me like neither is designed to solve that specific problem. Also, the only references I can find about interpolation are for the exposure metadata only…not for motion, orientation, or any other spatial property. I still can't find anything on that website that says either tool will fix orientation and framing irregularities from a walking time lapse along a path. I looked through the support files and found no reference to motion stabilization…if you know which page it's on, I'd like to read about it. It doesn't have the same irregularities that need to be fixed. I did see the example of moving over water, but I believe that was done with a locked-down camera on a boat or aircraft without the serious discontinuities of taking pictures while walking along a trail.
That is a fundamentally different problem than the original post, where there is multiple-axis motion that needs radical stabilization. I just wanted to get that part out of the way: Panolapse synthesizes point-of-view animation where the camera was not actually moving. And that makes Panolapse something I might want to use. I've done similar "fake pan and zoom" time-lapses with Adobe After Effects, but that doesn't go as far as Panolapse which can also fake the 3D projection, making it look more convincing. For example, you shot a time lapse on a locked down tripod or slider at a stationary position, and you want to create the illusion that the camera was moving or rotating by cropping the frame and animating the bigger image behind it. Panolapse can, but its main purpose is to introduce motion that was not there in the first place. RAWBlend only interpolates metadata, but does not alter spatial information. The motion isn't produced with RAWBlend, but with the other tool on that site, Panolapse. Now that I've checked it out, I see more of what you mean. But I haven't looked into whether there are other apps that can do it. But for a project like that in the original post, a hyperlapse solution is probably more appropriate. Adobe video stabilization is great for what it's intended for: Normal frame rate video. This is all way beyond what any Adobe app I know does. To make it look like the camera was always pointed the same way instead of shaking all over the place, it also attempts to reconstruct the 3D path of the camera, through a 3D model of the world that it builds by analyzing the frames. If you look at how Microsoft does it (watch the video below - it's fascinating!), part of the reason MS Hyperlapse can can produce smoother video than the above solutions is that it not only interpolates frames, but also does interpolation of the empty areas that result when adjacent frames are not framed the same (e.g., slighly rotated) as you are walking around taking pictures along your path. Microsoft Hyperlapse might be the best that can be done here.
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I also don't think the Warp Stabilizer in Premiere Pro or After Effects would help much like Microsoft Hyperlapse they need lots of similar frames to interpolate from. I don't think Photoshop has frame blending, and I also don't think it would work well with frames with so much time in between them that there are significant changes in content, edges, and camera orientation. In Premiere Pro and After Effects this is called frame blending. Interpolation could improve smoothness by rendering intermediate frames based on the preceding and following frames. What would help here is to interpolate, not interpret, the frames. That won't benefit from Interpret Footage. It's extremely low frame rate footage with huge time gaps: One frame every few seconds or minutes. But the footage shot by the original poster is not high frame rate footage. This is consistent with what Interpret Footage does in Adobe Premiere Pro and After Effects. As the linked article itself says, Interpret Footage is simply a way to properly time-remap frames shot at a high frame rate (such as 60 or 120 frames per second) to the timeline frame rate. Using Interpret Footage is unlikely to solve the problem.
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